This time, it was the world premiere of company member Tim Chawaga’s Sleepless City. This is a large undertaking, but the newly formed Pipeline Theatre Company proved to be very successful in their endeavor, presenting Timberlake Wertenbaker’s The Love of the Nightingale.įresh off the end of school, Pipeline stuck it out through the summer, and mounted their first independent production in the late summer of 2009. Far from dioramas and poster-board, the Company Class at the Atlantic Acting School requires students to work together as an ensemble and build a theater company from the ground up: forming an administration, coming up with a name and logo design, constructing a mission statement, and (with financial assistance) producing, directing, designing and performing in a play of the company’s choosing. Pipeline Theatre Company was founded in 2009 as a class project. Above all, we aim to leave you with stories that stick somewhere in your heart, your brain, or your guts. We love our villains as much as our heroes, especially in those puzzling moments when we can’t quite tell them apart. Our company thrives on adventure and believes no story is worth telling without a little risk. Pipeline makes theater of the imagination. We believe that an unbridled imagination is a force of magic with the power to provoke a more courageous and compassionate world. Full credits, press & reviews may be found at VISION Cynthia earned a BFA from NYU’s Tisch School of the Arts and is an alumna of Atlantic. She is also a founding member of the NYC theater company, Mobius Group. She is an ensemble member of Partial Comfort Productions and has appeared in their productions of Ten, KIDSTUFF and Open House (Outstanding Ensemble, FringeNYC). Cynthia’s solo show, BRIDEZILLA STRIKES BACK!, co-written with Kenny Finkle, garnered her much critical acclaim and the Outstanding Solo Show award at the NY International Fringe Festival. Cynthia also directed the short film, Sleep Training, which screened at New Filmmakers NY, and was named a finalist for the 2015 National Directors Fellowship by the O’Neill National Playwrights Conference, the National New Play Network, The Kennedy Center, and the SDC. Her directing credits include The Rules, by Dipika Guha, with Joust Theatre Company Cookie, by Chad Beckim at FringeNYC Uncommon Women and Others, and Melancholy Play with Atlantic’s NYU 3rd year on Atlantic Stage 2 Shel Shocked: An Evening of Grown-Up One-Acts by Shel Silverstein, and Almost, Maine w/ Atlantic’s NYU 2nd year. Full credits, press & reviews may be found at has been on faculty at Atlantic since 1998, teaching Performance Technique, Moment Lab, and the Business of Acting. ![]() Cynthia Silver has been on faculty at Atlantic since 1998, teaching Performance Technique, Moment Lab, and the Business of Acting.
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